Sea Queen and Standing Figure
Image source Eugene Scrivener (Museum of Perth)
Artist: Tony Jones
Asset Type: Public amenity
Year of Work: 1995
Location: Henry Lawson Walk, Northern Pier, Claisebrook Cove, East Perth
Provenance: City of Perth
Sculptured Seating
Image source Eugene Scrivener (Museum of Perth)
Artist: Mark Cox
Asset Type: Public amentiy
Year of Work: 1994
Location: Henry Lawson Walk, Claisebrook Cove, East Perth
Provenance: City of Perth
Channel Markers
Image source Eugene Scrivener (Museum of Perth)
Artist: Malcolm McGregor
Asset Type: Sculpture
Year of Work: 1995
Location: Situated one on either side of the inlet to Claisebrook Cove, East Perth
Provenance: City of Perth
Steel Magnolias
Image source Eugene Scrivener (Museum of Perth)
Artist: Jon Denaro
Asset Type: Sculpture
Year of Work: 1996
Location: North Eastern end of Mardalup Park, East Perth
Provenance: City of Perth
Concrete Poem
Image source Eugene Scrivener (Museum of Perth)
Artist: Robert Finlayson
Asset Type: Public amenity
Year of Work: 1996
Location: South Eastern corner of Mardalup Park, East Perth
Provenance: City of Perth
Victoria Gardens Shelter
Image source Eugene Scrivener (Museum of Perth)
Artist: Ralph Drexel
Asset Type: Public amenity
Year of Work: 1996
Location: North Western corner of Victoria Gardens, East Perth
Provenance: City of Perth
Regeneration
Image source Eugene Scrivener (Museum of Perth)
Artist: Joanna Lefroy Capelle
Asset Type: Mural
Year of Work: 1996
Location: Niches under Northern edge of Victoria Gardens, on Southern pier of Inlet to Claisebrook Cove
Provenance: City of Perth
Description: Twenty meters long by five meters high, the Niche Wall Mural by Joanna Lefroy Capelle is a narrative of East Perth history.
According to the plaque it traces the “evolution of this area from its origins in the Bibbulmun nation to the arrival of Europeans, industrial and horticultural growth, the phase of dormancy and finally renewal as a place of community and harmony for the human spirit”. In the absence of other more detailed information about East Perth’s history, the mural simplifies this story. Regardless of intentions, the artwork implies Darwinist “evolution” of the suburb. Aboriginal connections to the area are relegated to a “bygone” past. Some have claimed that the representation is “grotesque” and offensive.
The placement of the mural on a limestone wall (built to disguise the sewage pipes behind it), along with the abandoned blankets which regularly appear in front of the mural, suggest the harmony mentioned in the plaque is, in fact, a façade.
Charnock Woman
Image source Eugene Scrivener (Museum of Perth)
Artist: Sandra Hill, Miv Egan, Jenny Dawson
Asset Type: Mosaic
Year of Work: 1996
Location: Eastern Observatory, Victoria Gardens, East Perth
Provenance: City of Perth
The East Perth foreshore was a meeting and camping place for the Noongar people. This colourful ceramic mosaic tells the Noongar Dreaming Story of a giant evilspirit woman, known as the Charnock woman, who stole children. The story can be read on the accompanying wall plaque.
Illa Kuri Sacred Dreaming Path
Image Source: Eugene Scrivener (Museum of Perth)
Artist: Toogarr Morrison
Asset Type: Sculpture, Plaque, Monument
Year of Work: 1996
Location: Swan River Foreshore, North Eastern corner of Victoria Gardens, East Perth
Provenance: City of Perth
Heritage Map
Image source Google Maps
Artist: Malcolm McGregor
Asset Type: Sculpture, Print
Year of Work: 2001
Location: Intersection of Royal Street and Regal Place, East Perth
Provenance: City of Perth
Description: The Heritage Map is made from granite. It shows the old East Perth with descriptions and other historical information.
The Weeping Wall
Image source Eugene Scrivener (Museum of Perth)
Artist: Nola Farman, Marcelle George
Asset Type: Sculpture, Water feature, Plaque
Year of Work: 1998
Location: The Greenway, beneath Brook Street, East Perth
Provenance: City of Perth
Description: The curved limestone retaining wall not only ensures that a mature tree remains part of the new landscape, but also that the water artificially seeping through it reinforces the power and presence of water in this area of Perth.
The text talks about the abundance of food found in the Claisebrook wetland and how it was cooked in the past
The Source
Image source Eugene Scrivener (Museum of Perth)
Artist: Nola Farman
Asset Type: Sculpture, Water feature
Year of Work: 1998
Location: The Greenway, South Eastern corner of intersection of Royal Street and Fielder Street, East Perth
Provenance: City of Perth
Trafalgar Road Culvert
Image Source: Eugene Scrivener (Museum of Perth)
Artist: Nola Farman, Marcelle George
Asset Type: Sculpture, Prose
Year of Work: 1998
Location: Midway along southern side of Victoria Gardens, East Perth
Provenance: City of Perth
Diver and Dogs
Image source Google Maps
Artist: Russell Sheridan
Asset Type: Public amenity
Year of Work: 1998
Location: Old Belvidere Promenade, East Perth
Provenance: City of Perth
Yoondoorup Boorna
Artist: Alma Toomath
Asset Type: Plaque, Prose
Year of Work: 1996
Location: Swan River Foreshore, North Eastern corner of Victoria Gardens, East Perth
Provenance: City of Perth
Description: This old river gum, removed as part of the redevelopment of the East Perth area, was treated and returned to the site at the request of the Noongar people. Its burnt and split trunk was used as a hiding place for goods and messages by those who once camped here. In 2014 the tree saddle was destroyed by fire leaving only the log and plaque.
Inscription:
YOONDOORUP BOORNA
Claisebrook Tree
This tree has been used in many ways
by the Bibbulmun people at this location
on the border of the Derbal Yaragan
Swan River it is hereby recognised
for harmony and friendship.
Unnamed Seat
Image source Eugene Scrivener (Museum of Perth)
Artist: Rueben Kooperman and Flint Edwards
Asset Type: Public amenity
Year of Work: 1998
Location: At foot of retaining wall facing Swan River
Foreshore, beneath Southern side of 16 Vanguard Terrace, East Perth
Provenance: City of Perth
Nexus
Image Source: Eugene Scrivener (Museum of Perth)
Artist: Simon Gauntlett
Asset Type: Public Art
Year of Work: 2002
Location: Lake Street Plateia, Northbridge
Provenance: City of Perth
Tree of Symbols
Image source Waymarking
Artist: Kevin Draper
Asset Type: Sculpture
Year of Work: 2002
Location: Hay Street, North East of Bennett Street intersection, East Perth
Provenance: City of Perth
Talking Heads
Image source Eugene Scrivener (Museum of Perth)
Artist: Andrew Miller
Asset Type: Sculpture, Metalwork
Year of Work: 2003
Location: Small Reserve, North Eastern Corner, Hay and Thomas Street intersection
Provenance: City of Perth
Penrose's Impossible Triangle
Image source Eugene Scrivener (Museum of Perth)
Artist: Brian McKay, Ahmad Abas
Asset Type: Sculpture
Year of Work: 1999
Location: Roundabout, intersection of Royal, Brook and East Parade, East Perth
Provenance: City of Perth
Description: “In 1999 DENMAC had the honour of working with leading WA artist Brian McKay and architect Ahmad Abas on creating the iconic “Impossible Triangle” art installation situated in East Perth. The art installation was part of the East Perth Redevelopment Project which sought to convert 38 hectares of industrial land into a liveable suburb adjacent to the Perth CBD. At the time this was the largest urban renewal project undertaken in WA.
In 1997, Brian McKay and Ahmad Abas submitted their design for the major commission in which they were successful. Inspired by the Penrose triangle first articulated by the Swedish artist, Oscar Reutersvard the “Impossible Triangle” sits a massive 13.5 metres high and has remained an East Perth landmark for 20 years.
DENMAC was responsible for the design, fabrication and installation. The polished steel striations reflect both artificial light and sunlight, dramatically changing between sunrise and sunset a feature we achieved for the first time on this project.
Working on a project of this magnitude presents its pressures and difficulties however our experience in working with similar structures fully equipped us to ensure a structure was built that would withstand the elements and test of time.” -DENMAC