City of Bunbury Reece Harley City of Bunbury Reece Harley

The South West Migrant Memorial

Image Source City of Bunbury

Image source City of Bunbury

Artist: Unknown

Asset Type: Memorial

Year of Work: 2019

Location: Queens Garden, Bunbury

Provenance: City of Bunbury

Description: The memorial is described as "a modern interpretation of a tree combining a trunk, branches and cascading leaves."

The trunk represents an integration of the early settlers, natural habitat and later migrants. The branches are representative of what grew from the trunk and represent the descendants and the leaves represent new growth and continued prosperity. A series of plaques are attached to each leaf and honour individual migrants from various countries.

The Memorial dates to November 2018 with the last 200 names added in November 2020, a total of 800 names are now included. Information panels give a good informative overview of the contribution and sacrifices of the early settlers.

[Taken from a post by Dan L on Tripadvisor]

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City of Perth Reece Harley City of Perth Reece Harley

Going Home

Image source Eugene Scrivener (Museum of Perth)

Artist: Anne Neil

Asset Type: Sculpture

Year of Work: 1996

Location: Traffic island at intersection of St Georges Terrace and Mount Street, Perth

Provenance: City of Perth

Description: These seven kangaroo silhouettes are captured in mid-flight, carrying briefcases. The concept of the artwork is derived from people working on the Terrace and returning home. The kangaroos, once abundant in the area, are seen racing back to King’s Park after a hard day at work. The briefcases draw attention to contemporary life on the Terrace and brings a touch of humour to Perth’s premier business avenue.

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City of Perth Reece Harley City of Perth Reece Harley

Conic Fugue (Enigma)

Image source Eugene Scrivener (Museum of Perth)

Artist: Charles Owen Perry

Asset Type: Sculpture

Year of Work: 1991

Location: Intersection of St Georges Terrace and Milligan Street

Provenance: City of Perth

Description: Conic Fugue was commissioned as a counterpoint to the QV.1 building. The soft curving edges and vivid red provides a contrast to the grey colour scheme and hard edges of the architecture. The artwork is a single-surfaced, single-edged monolith that has been wound upon itself three times, similar to DNA. The sculptor suggests that you fix a point on the edge and follow it with your eye.

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City of Perth Reece Harley City of Perth Reece Harley

Unidentified Photographer

Image source Eugene Scrivener (Museum of Perth)

Artist: Anne Neil

Asset Type: Sculpture

Year of Work: 1996

Location: Traffic island at intersection of St Georges Terrace, Elder Street and Malcolm Street, Perth

Provenance: City of Perth

Description: A life-size bronze figure looks back through time at an image of the Barracks before it was demolished to make way for the new freeway extension. Holding a Box Brownie camera and a handful of photographic plates, the Unidentified Photographer beckons the public to look inside his camera. Inside the Gladstone bag are bronze models of various trade tools of the professionals who once worked on the Terrace.

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City of Perth Reece Harley City of Perth Reece Harley

People in the City

Image source Eugene Scrivener (Museum of Perth)

Artist: Anne Neil, Steve Tepper

Asset Type: Sculpture, Metalwork

Year of Work: 1999

Location: Hay Street, Southern side, West of William Street intersection

Provenance: City of Perth

Description: People In the City illustrates the hustle and bustle of city life and crowded street corners as people wait for the lights to change. The series of cast aluminium outlines are traced from real people. Passers-by often ponder over whom the outlines might represent.

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City of Perth Reece Harley City of Perth Reece Harley

Kangaroos (Phase 2)

Artist: Joan Walsh-Smith, Charles Smith

Asset Type: Sculpture

Year of Work: 1998

Location: St Georges Terrace, Southern side, near Stirling Gardens

Provenance: City of Perth

Description: These life size bronze kangaroos are a realistic representation of how kangaroos might behave in the bush. You can imagine the mob being startled from its quiet feeding by the sound of traffic and bounding away, led by the large male. The sight of the kangaroos bounding at full speed along the pavement of St George’s Terrace makes a surprising contrast to the backdrop of the CBD.

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City of Perth Reece Harley City of Perth Reece Harley

Gumnut Babies

Image source Eugene Scrivener (Museum of Perth)

Artist: Claire Bailey, Indra Geidans

Asset Type: Sculpture

Year of Work: 2001

Location: Western edge of Stirling Gardens

Provenance: City of Perth

Description: The bronze Gumnut Babies are based on the characters Snuggle Pot and Cuddle Pie created by May Gibbs in the 1930s. May Gibbs, a popular author of children’s books, attributed the creation of the Gumnut Babies to her memories of Western Australia’s wild flowers. Her aim was to encourage a love of the Australian bush in children.

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City of Perth Reece Harley City of Perth Reece Harley

Sculptured Seating

Image source Eugene Scrivener (Museum of Perth)

Artist: Mark Cox

Asset Type: Public amentiy

Year of Work: 1994

Location: Henry Lawson Walk, Claisebrook Cove, East Perth

Provenance: City of Perth

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City of Perth Reece Harley City of Perth Reece Harley

Concrete Poem

Image source Eugene Scrivener (Museum of Perth)

Artist: Robert Finlayson

Asset Type: Public amenity

Year of Work: 1996

Location: South Eastern corner of Mardalup Park, East Perth

Provenance: City of Perth

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City of Perth Reece Harley City of Perth Reece Harley

Regeneration

Image source Eugene Scrivener (Museum of Perth)

Artist: Joanna Lefroy Capelle

Asset Type: Mural

Year of Work: 1996

Location: Niches under Northern edge of Victoria Gardens, on Southern pier of Inlet to Claisebrook Cove

Provenance: City of Perth

Description: Twenty meters long by five meters high, the Niche Wall Mural by Joanna Lefroy Capelle is a narrative of East Perth history.  

According to the plaque it traces the “evolution of this area from its origins in the Bibbulmun nation to the arrival of Europeans, industrial and horticultural growth, the phase of dormancy and finally renewal as a place of community and harmony for the human spirit”. In the absence of other more detailed information about East Perth’s history, the mural simplifies this story.  Regardless of intentions, the artwork implies Darwinist “evolution” of the suburb. Aboriginal connections to the area are relegated to a “bygone” past. Some have claimed that the representation is “grotesque” and offensive.

The placement of the mural on a limestone wall (built to disguise the sewage pipes behind it), along with the abandoned blankets which regularly appear in front of the mural, suggest the harmony mentioned in the plaque is, in fact, a façade.

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City of Perth Reece Harley City of Perth Reece Harley

Charnock Woman

Image source Eugene Scrivener (Museum of Perth)

Artist: Sandra Hill, Miv Egan, Jenny Dawson

Asset Type: Mosaic

Year of Work: 1996

Location: Eastern Observatory, Victoria Gardens, East Perth

Provenance: City of Perth

The East Perth foreshore was a meeting and camping place for the Noongar people. This colourful ceramic mosaic tells the Noongar Dreaming Story of a giant evilspirit woman, known as the Charnock woman, who stole children. The story can be read on the accompanying wall plaque.

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City of Perth Reece Harley City of Perth Reece Harley

Illa Kuri Sacred Dreaming Path

Image Source: Eugene Scrivener (Museum of Perth)

Artist: Toogarr Morrison

Asset Type: Sculpture, Plaque, Monument

Year of Work: 1996

Location: Swan River Foreshore, North Eastern corner of Victoria Gardens, East Perth

Provenance: City of Perth

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